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The 15th Udaka Seiran Noh: Hagoromo, Ataka

This year the annual Udaka Seiran Noh performance will feature the Noh Ataka with the very special kogaki (performance variations) ennen takinagashi, kai-tsuke kai-date. Udaka Michishige will take the leading shite role, while his sons Tatsushige and Norishige will take the tsure supporting roles as disguised yamabushi priests. Michishige’s eldest son Tatsushige will also perform his first Noh with a kogaki: Hagoromo (banshiki variation).

Minamoto no Yoshitsune, one of Japan’s tragic heros, is known as a talented and charismatic general, and as the lover of shirabyoshi dancer Shizuka Gozen. The relatiohship between Yoshitsune and his retainer, the warrior-monk Musashibo Benkei, is particularly celebrated in the Noh plays Hashi-Benkei, Funa-Benkei, and Ataka. In all of these Noh the role of Yoshitsune is played by a ko-kata, or child actor. In Ataka the role of Musashibo Benkei is taken by the shite, or main player.

In Ataka, Yoshitsune is trying to escape the unjustified wrath of his elder brother Yoritomo by fleeing to the south with a group of his men who are in the guise of yamabushi, mountain aescetics, led by Benkei. Officials at barrier checkpoints along the way have been warned to be on the lookout for the fugitives. Through the wit and audacity of Benkei they are able to pass at the Ataka Barrier. The high drama of intrigue as the group makes its escape, the loyalty of Benkei which gives him the strength to protect his master at a moment of extreme danger, the sympathy shown by the warden, Togashi, join to make this one of the most dramatic plays of the Noh repertory. The extemporaneous ‘reading’ of the scroll calling for donations, or Kanjincho, is a highlight of the play and the title of the Kabuki variation of this story.

(Rebecca Teele Ogamo)

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Download the full program (Japanese) Front Back

The 15th Udaka Seiran Noh

Noh: Hagoromo (banshiki). Shite: UDAKA Tatsushige

Kyogen: Jisenseki  Shite: SHIGEYAMA Shime, Ado: SHIGEYAMA Motohiko
– Intermission –

Noh: Ataka (ennen takinagashi, kai-tsuke kai-date)
Shite: Udaka Michishige

Place: The Kongo Noh Theatre, Nakadachiuri-agaru, Karasuma-dori, Kamigyo-ku, Kyoto. 602-0912. Subyway Karasuma-Imadegawa (K06), South Exit (n.6), walk South 300m.

Time: Sunday, 14th September 2014 13:30-17:00 p.m. (doors open at 13:00)

Tickets: center reserved seats 8,000 yen, side reserved seats 6,000 yen, general admission mid-center seats 5,000 yen, student general admission mid-center seats 3,000 yen

Synopses of the plays will be available at the theater in English, French, and Italian.

For information and tickets reservation please use the form below, or contact the Udaka-kai Office c/o Rebecca Teele Ogamo:

TEL: +81 090 9615 0886
FAX :+81 075 722 3668
Email: ogamo-tr@mbox.kyoto-inet.or.jp

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Thoughts on the Kei’un-kai Memorial Performance 2014

The program board outside the theatre

On August 17th 2014 The Kei’un-kai Memorial Performance, including INI members, took place at the Kongo Noh Theatre in Kyoto. It was a long day, with shimai, rengin, maibayashi and full Noh plays performed  from dawn to dusk.  This year’s performance took place at the end of the o-bon period in Japan, during which people remember and honour the dead. It was an occasion for us performers and for the audience to express gratitude to those who are not with us anymore.

For this purpose, Udaka Michishige has chosen a poem by Henjo (816-890), quoted in the Noh Sumizome-zakura, ‘The Ink-dyed Cherry Tree’. “Everyone is wearing colourful robes, while my mossy sleeves (a monk’s robes) are yet to dry.” Henjo became a priest after the death of Emperor Nimmyo, and the poem expresses the poet’s grief and his reluctance to return to colourful robes after the official time of mourning, though others around him have done so. Udaka Michishige created a calligraphy with the first line of the poem, which you see on the hanging scroll in the picture below.

Rebecca Teele Ogamo. Calligraphy: Udaka Michishige. Kakejiku hanging scroll: Kim Heakyoung.

 The INI Senior Director, Rebecca Teele Ogamo, would like to share the following thought about the performance: ‘It was very special to remember both those we once performed with us as Keiun-kai or INI members and those who have supported us in the past and I think we all felt their warm presence cheering us on. And perhaps they were in “flowery robes” as they watched with nostalgia our struggle with the nerves and doubts that sometimes clouded our vision’.

The INI would like to thank all those who have participated to this performance, and whose help and support motivates us to continue our study and research of Noh.

Kei’un-kai Memorial Performance 17 August 2014

On 17 August 2014 from 9:30am the Kei’un-kai (the group Udaka Michishige’s students, incuding the International Noh Institute) will hold a Memorial Performance at the Kongō Noh Theatre in Kyoto. The performance will begin with two bangai shimai or special feature dance excerpts by masters Taneda Michikazu (Eguchi) and Udaka Michishige (Fujitō), followed by a recitation of an excerpt from the Noh Seigan-ji by Udaka Michishige’s sons, Tatsushige and Norishige. Student performances will begin at 9:50 and will feature a number of shimai, maibayashi and two full Noh plays (from 13:00 Atsumori, Shite: Nagao Atsushi; from 17:00 Funa Benkei, Shite: Higaki Takafumi).

ADMISSION FREE: feel free to come and go quietly. An English synopsis of the program will be available. Download here the full program (Japanese only).

Members of the International Noh Institute will perform the following dances:

Elaine Czech (イレーイン・チェック) shimai: Kochō                          (11:00 group)

Monique Arnaud (モニック・アルノー) maibayashi: Tsurukame      (12:00 group)

Diego Pellecchia (高谷大悟) maibayashi: Tōru                                     (12:00 group)

Rebecca Teele Ogamo (小鴨梨辺華) shimai: Kashiwazaki                  (16:40 group)

Tsuizen Taikai 2014

Pictures from the INI Noh mask carving/painting hands-on session – July 2014

On July 20th 2014 Udaka Michishige’s Noh mask carving atelier opened its doors to Kyoto residents and exchange students from Japan, Lebanon, France, China, Thailand, and Italy who wished to explore the world of Noh masks. Participants were able manipulate the fragrant hinoki wood, and tools such as saws and chisels, and try their best in the first stages of the carving process. Later they were introduced to the basics of painting, such as application of gofun shell powder and natural pigments. Udaka Michishige explained how the wood is cut respecting the way the tree grows, and provided insights on mask techniques from the point of view of the expert Noh actor, as well as mask carver.

It’s a been a lovely Sunday morning and we look forward to welcoming other participants in the near future!

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Noh conference, demonstration and workshop in Italy

Kongo-ryu Shihan Monique Arnaud

Kongo-ryu Shihan Monique Arnaud

Monique Arnaud and Cristina Picelli from the Italian branch of the International Noh Institute will join the Nipponbashi Festival in Treviso, Italy on Saturday 12th July. The event  features an open lecture on Noh theatre by Prof. Bonaventura Ruperti (Ca’ Foscari University – Venice) from 18:00 to 20:00, followed by a chant and dance from 21:30 to 22:30. This is a wonderful opportunity for those in the area to attend an introduction to Noh by Monique Arnaud (IUAV University – Venice), the only licensed Noh instructor currently resident in Europe.

On Sunday 13th from 10:00 to 18:00 visitors of the festival will be able to participate to a Noh theatre workshop. If you are interested in the participating contact nohitalia@gmail.com

Find the full program of the event here (Italian).

Workshop Treviso

Welcome to our new website!

We are excited to announce the launch of the new INI – International Noh Institute website! We are going to use this blog to document our training and performance activities in Japan and abroad. We hope this will be a place where those who are interested in various aspects of Noh, such as dance, drama, music, or mask carving can share opinions, ask questions, read and tell stories about the world of Noh. If you are curious to try practice Noh, please refer to the Study Noh with the INI section for more information about our courses.

PS: don’t forget to subscribe to this website, like us on Facebook and follow us on Twitter!

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INI members backstage at the Kongo Noh Theatre in Kyoto in 2013. From left-right, from top to bottom: Rebecca Teele Ogamo, Jaewoo Kang, Calder Tomlinson Suzuki, Jordi Ch. Mora, Cristina Picelli, Udaka Michishige, Elaine Czech, Diego Pellecchia

Participants of the February mask carving atelier special opening

In January and February 2014, Udaka Michishige’s Noh mask carving atelier in Kyoto opened its doors to observers. We received many requests (thanks Kyoto Journal for helping with the promotion!) from professionals, university students, Japanese, non-Japanese, travelers and residents who were curious to come see how Noh masks, mysterious objects of transformation of the Noh actor, are created. Here are a few pictures of the participants of the February 27th session. We are planning to hold more mask-related events this summer, so watch this space for further information!

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[Extended] Noh Mask Carving Atelier – Special Opening (February 2014)

Diego Pellecchia's avatarThe Noh Diaries

Due to popular demand the Special Opening of Udaka Michishige’s Noh Mask Carving Atelier has been extended. We have received many requests of Japanese and non-Japanese, Kyoto residents and Kyoto visitors who wished to learn about the world of Noh masks from the direct experience of a professional carver and actor such as Udaka Michishige.

Three new dates (February 6th, 20th and 27th) have been added. There are two time slots: afternoon (14:00~17:00) or the evening (18:00~21:00).

This is a great opportunity for those interested in masks and in the mask-making process, as well as in the use of the masks in actual performance: Michishige is the only Noh actor who is also a skilled mask carver, regularly using his own masks on stage. In 2010, Michishige published the photobook The secrets of Noh Masks (Kodansha/Oxford) with photographer Shuichi Yamagata. I have posted more about Michishige’s activities as mask…

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Noh mask carving atelier – special opening

Diego Pellecchia's avatarThe Noh Diaries

Udaka Michishige’s Noh mask atelier will open to guest observers on January 9th, 16th and 23rd from 14:00 to 17:00 or from 18:00 to 21:00. This is a great opportunity for those interested in masks and in the mask-making process, as well as in the use of the masks in actual performance: Michishige is the only Noh actor who is also a skilled mask carver, regularly using his own masks on stage. In 2010, Michishige published the photobook The secrets of Noh Masks (Kodansha/Oxford) with photographer Shuichi Yamagata. I have posted more about Michishige’s activities as mask carver here.

If you are in Kyoto don’t miss this chance to be introduced to the world of Noh masks – both Japanese and English speakers are welcome! Observers are admitted FREE OF CHARGE

To reserve a place, or for more information, please feel free to contact me here.

Shintai, for roles of young gods, by Udaka Michishige (Photo: Fabio Massimo Fioravanti) Shintai, for roles…

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Johanna visits Kyoto

JohannaJohanna Gernbacher has been living in a Zen temple in Nagaoka while studying utai, shimai and mask carving with Udaka Michishige in Kyoto since April 2012. She performed the kuse and kiri sections of Yuki in the student recital on the Yamatoya Noh stage before Udaka-sensei’s performance of Sesshoseki in November 2012. Johanna has been developing quickly as a shite and as a mask carver, and Udaka- sensei hopes she will continue her training and come back to Kyoto soon. She has now returned to Berlin where she will continue to study Noh, joining forces with other INI members in Germany.

This January Johanna visited Kyoto and it was nice to catch up! We went to the utaizome performance celebrating the new year at the Kongo Noh theatre, which was showing the seasonal decorations. We hope to see Johanna again soon!