Author Archives: inikyoto

Nipponica 2025: Three Days of Nō in Bologna

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More than 3,500 people gathered in Bologna for this year’s Il Sole di Hiroshima, an event held on August 6 in remembrance of the victims of the atomic bombings of Hiroshima and Nagasaki, as well as all wars. The event was produced by Nipponica, and organized by Dr. Matteo Casari of the University of Bologna. This evening is celebrated every year and culminates with the moving tōrōnagashi ceremony, during which a sea of floating lanterns illuminates the canal crossing the Giardino del Cavaticcio, each serving as a personal tribute to peace.

This year the event included four shimai dances from the classical nō repertory. Udaka Tatsushige, Udaka Norishige, and Diego Pellecchia performed selections from Tenko, Fujito, Funa Benkei, and Hagoromo. Each dance was introduced by a dramatic reading of its text by actor Donatella Allegro, adding a rich narrative layer to the performance.

One of the recurring themes in nō drama is remembrance. Many of the protagonists are ghosts or spirits of individuals marked by traumatic experiences, tormented by jealousy, remorse, or the anguish of oblivion. It is through the telling of their stories that they can finally find peace. Other dramas, however, stage the union between gods and human beings as an expression of the desire for peace and harmony. Although deeply rooted in the cultural context in which it was created and developed, the universal themes of nō and its stylized language allow diverse audiences to connect with the stories represented. Like all masterpieces of theatre, these dramas not only have the ability to fix specific events in memory, but they also act as parables that make us reflect on the cyclical nature of the human experience. Thus, nō seemed to fit perfectly the theme and purpose of the event.

The event was provided to the city at no cost. All donations collected were fully dedicated to supporting AGEOP Ricerca and its vital work with young oncology patients and their families.

Following the event, a two-day workshop took place at the DAS Dispositivo Arti Sperimentali where participants learned the fundamentals of nō chant and dance. The workshop saw strong attendance from a diverse and engaged group of participants.

Our deepest thanks go to Nipponica for their impeccable organization and to Matteo Casari for his essential support. This important initiative was made possible through their dedication and passion.

Noh dance performance and workshop in Italy, August 6-8 2025

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We are thrilled to announce a nō dance performance and 2-day workshop in Bologna, Italy, on August 6-8, 2025. The event is organized by Nipponica in collaboration with the International Noh Institute.

Performance

The performance is part of the event Il Sole di Hiroshima, an evening of remembrance, peace, and solidarity inspired by the Hiroshima tōrōnagashi lantern ceremony, organized by the Nipponica festival. Held on August 6 at the Giardino del Cavaticcio in Bologna, the event includes lantern floating, Japanese food, cultural activities for children, and a special performance of nō dance by the Udaka family (Kongō school).

This year’s edition supports AGEOP, a local charity assisting children with cancer. Donations for the lanterns will help fund medical care and free accommodation for families in treatment. Entrance is free.

More info here

Workshop

Nipponica will also host an exceptional intensive workshop dedicated to the art of nō theatre—one of the oldest and most refined forms of Japanese stage tradition, where chant, dance, music, and spirituality merge into a performance of profound resonance. Characterized by the essential quality of its choreography, rich symbolism, and deep evocative power, nō offers a unique theatrical experience, capable of speaking to contemporary audiences through ancient forms.

The workshop, with a total duration of 8 hours, will be led by Udaka Tatsushige and Udaka Norishige, professional actors of the prestigious Kongō school, and direct heirs of master Udaka Michishige, a key figure in the contemporary transmission of nō. The event will be coordinated by Diego Pellecchia (Associate Professor, Kyoto Sangyo University – Visiting Professor, Alma Mater Studiorum University of Bologna).

Events details here (Italian only)

Thoughts on the 2024 INI Kyoto Summer Intensive #5 (Oana Maria Ghiorghilas)

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During my two-week training with INI, I had the opportunity to experience and embody nō forms and expressions while learning about the philosophy behind them. We formed a warm and supportive group, practicing together with the teachers every day. The final recital was incredible, and performing on stage alongside professional actors was an unforgettable experience.

(Oana Maria Ghiorghilas)

Thoughts on the 2024 INI Kyoto Summer Intensive #4 (Christopher Ellars)

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I attended the INI program in order to provide supplemental research/training for the completion of my thesis project.  Though I had been researching Noh for quite some time prior to this, I did not see it playing a major role in my life moving forward.  Even as I entered Japan this time round, I viewed the upcoming training as a nice excursion from my other interests.  However, through INI, I was able to enter into a world completely unlike the one I was prepared for.

I found myself rubbing shoulders with practitioners of all different backgrounds, including academics, theater artists, professionals and more.  These were entirely different people who shared a passionate devotion to the practice of Noh.  I was deeply moved by the depth of this commitment which was woven into the fabric of each person’s very being.  And I realized that this deep connection to Noh, and to a greater extent Japanese culture, was one that I, too, shared.

My entire life I have loved Japan.  I have dreamt of coming here to experience the essence of Japanese culture.  This is a devotion that I had never been able to adequately share before.  INI provided to me a place of belonging I have been missing for as long as I can remember.

Each day, in lessons, in performance, and in the personal interactions fostered by the INI staff, I felt truly connected to a living community who cares for each other, who supports each other, and who pushes each other forward.  It is an experience I will cherish all my life.  I cannot recommend this program strongly enough to my fellow Japanophiles who search for community, because you will find it here at INI.

I am forever grateful to the Udaka family and Diego Pellecchia for the community they have fostered, and for the experience they provided to all of us students.

(Christopher Ellars)

Thoughts on the 2024 INI Kyoto Summer Intensive #3 (MC Crosby)

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To start to know noh, you must know humility. As children, learning to walk is a milestone, and for noh, it is the same. When you are asked to forget what you understand about standing and begin to move as demons, divine beings, and wandering humans, you strip away the attachment to being right, and instead devote yourself to curiosity.

My greatest takeaway from INI’s Noh Intensive is that the simplest gesture or the thinnest wrinkle carved upon a mask can have the grandest meaning. Whether you are the suffering Yuya scanning the horizon for the solace of sakura, or Shojo bestowing the gift of everlasting sake to the generous shopkeeper, all these can be encapsulated in the gaze of the face or stream of the arm. Although there may have been fumbled footwork or warbled words, our eager inquiry into the imagery of the art form stripped us of our pride so we could breathe inside each character.

As the final demonstration ended, my reaction when ducking through the stage door was, “I wish I could perform again.” To me, that is the true sign of inspiration: longing to learn and share more. From the tips of my tabi socks to the final fold of the fan, I hope to humbly offer my knowledge of this art form to others through my work as an educator and writer. May this be the first step, the first kata, in a lifelong dance of coming to know Noh, and cheerily chanting that song to anyone willing to sing along.

(MC Crosby)

Thoughts on the 2024 INI Kyoto Summer Intensive #2 (Luca Domenico Artuso)

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The INI Summer Intensive 2024 was an invaluable experience, offering a rare opportunity to engage deeply with the world of Noh. The program culminated in a full day of performances, where we presented the dances we had trained for during the two weeks.

A key highlight of the program was the diverse team of instructors. Lessons were led by Noh Masters Udaka Tatsushige and Udaka Norishige, Professor Diego Pellecchia, and Mask Carver Udaka Keiko. Each brought a unique perspective to teaching Noh, enhancing our understanding of the complexity behind its stylized tradition.

I felt that this year was particularly special, as Diego Pellecchia featured his performance of Funa Benkei, an unforgettable Noh play. This gave us a rare glimpse into backstage practices and allowed us to witness a very rare rehearsal process firsthand, unusual for the world of Noh professionals. We also attended two additional plays, which we discussed together, enriching our appreciation with Diego’s expert insights.

Beyond the structured lessons, the program fostered casual conversations, creating a relaxed atmosphere where participants could ask questions freely. These spontaneous exchanges often led to profound discussions, enriching our learning experience even further.

Finally, I must mention the unique training environment of the INI program, the Udaka family’s training space. For me, it is an incredibly special place. INI offers the chance to train in the same space where Noh is taught and practised daily. Every time I entered, I felt a sense of humility and excitement, surrounded by the tools, books, and materials that speak to the living tradition of Noh and its daily life practices.

I am deeply grateful to the Udaka family and Diego Pellecchia for their intellectual generosity. I highly recommend the INI Summer Intensive Program to anyone interested in exploring the world of Japanese Noh theatre.

(Luca Domenico Artuso)

Thoughts on the 2024 INI Kyoto Summer Intensive #1 (Scarlett Siqueira do Valle)

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I am a PhD student under the supervision of Prof. Dr. Christine Greiner. My research focuses on nō as an important theatrical pedagogical tool for the training of both Japanese and foreign actors, maintaining the structure and content of traditional training while fostering theatrical pedagogical exchange. The aim is to create a “nō without borders” that continues to resonate today, both in Japan and in the West. For these foreign actors to engage with nō, they received support from masters with an intercultural vision, such as Udaka Michishige Sensei and Rebecca Teele Ogamo Sensei, among others at INI. Throughout my studies, I found it crucial to complement the bibliography I was reading with practical experience and hands-on training at INI.

During the two-week practical studies for my theoretical research, I particularly appreciated the interaction with the masters, who demonstrated attentiveness and specific pedagogical skills crucial to nō training. The INI provided a welcoming and supportive atmosphere, where I felt part of a family, with everyone contributing to each other’s progress. Experiencing the support, encouragement, and joy from the masters as they guide you is one of the most valuable memories to cherish for a lifetime.

I am deeply grateful to everyone who has supported me along this journey in life and scholarship. Special thanks to Christine Greiner Sensei, Rebecca Teele Ogamo Sensei, Udaka Tatsushige Sensei, Udaka Norishige Sensei, Udaka Keiko Sensei, Diego Pellecchia Sensei, and Monique Arnaud Sensei.

(Scarlett Siqueira do Valle)

[CLOSED] Call for participants – INI Kyoto Summer Intensive 2024

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The INI – International Noh Institute announces its 2024 Summer Intensive Program. Applications open April 1 and close April 30.

Who can apply?

Anyone interested in studying nō chant and/or dance. There is no age limit, and previous knowledge is not required. The course is taught by English-speaking Japanese instructors.

What will participants learn?

Participants will study nō dance and chant according to the Kongō school tradition, and learn about various aspects of nō performance, including masks and costumes. The training period will culminate in a public recital, where participants will perform supported by professional actors at the Kongō Nō Theatre (details of the performance will be published later).

How does training work?

Nō classes take place daily, in the morning, or in the early afternoon. Participans will be coached by one of our instructors, but will also be encouraged to practice independently in preparation for the following class. A day-to-day calendar will be announced after the selection is complete.

What makes studying with the INI unique? 

The intimate environment in which lessons take place, reflecting the traditional nō training style allows students to interact directly with the teachers. Lessons comprise both group work and one-to-one coaching.

The 2024 edition of our Summer Intensive offers an exclusive opportunity to observe the rehearsals of a full nō performance, which will be staged as part of the final Recital.

Program highlights

  • Train intensively in noh dance and chant. 
  • Practice in a small group for an immersive experience.
  • Perform supported by professional actors.
  • Watch noh performances on traditional stages.
  • Visit noh-related historical locations.
  • Experience living in the ancient capital, Kyoto.

Program details

  • Training period : August 12-25, 2024
  • Recital: August 25
  • Capacity: 6 participants

Instructors: Udaka Tatsushige, Udaka Norishige (Kongō school actors), Udaka Keiko (nō mask carver)

Coordinator: Diego Pellecchia (Kyoto Sangyō University)

Fees

Regular ¥90,000, Student ¥60,000 (includes graduate students)

Fees include: Dance/chant lessons, materials, Kongō school nō fan, participation in the final recital, and a certificate of completion. Fees do not include: White tabi (split-toe socks), transportation, accommodation, and any other personal expenses.

Payments should be paid before the start of the course via bank transfer. Further information regarding payment will accompany the notification of acceptance.

How to apply

Send an email to ini.kyoto[at]gmail.com attaching the following two documents:

  1. Your Curriculum Vitae
  2. A statement of interest (around 300 words)

Application calendar

  • Applications open: April 1 2024
  • Applications close: April 30 2024
  • Outcome announcement: May 15 2024

For more information about the program contact us.

Photographs from past events

Thoughts on the 2023 INI Kyoto Summer Intensive #5 (Mahdi Sabour)

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Prior to the INI summer intensive program, my understanding of dance and drama was limited to the Western context. Further, my appreciation for the potential of the two was restricted by my cultural upbringing. During the two weeks of the program, through the instructions of the teachers, I learned to appreciate the depth of what Noh could be. Daily teachings and interactions with the teachers and hearing about the many plays and stories we could perform changed my view of how one could engage with a cultural activity and live life through its vehicle. Learning the chanting, the dancing, as well as the forms and symbols was challenging but deeply rewarding. To ultimately perform a Noh piece, as the culmination of days of hourly practice, was one of my proudest moments. I would recommend the summer intensive program to anybody who is interested in appreciating and understanding the potential of a tradition with a rich history that continues to thrives in modern times through its impact on those experiencing it.

(Mahdi Sabour)