The INI Summer Intensive Program 2017 is now over. Here in Kyoto, a cool breeze is blowing and the hills that surround the city are getting ready to turn into their gorgeous autumn color. As always after one of our intensive workshop, we publish comments from the participants on our blog. Here we introduce trainee Tina Dermois. Tina is a masters student from Leiden University, currently enrolled in the Study in Kyoto Program at Ritsumeikan University. She is interested in Japanese arts and crafts and is currently working on a thesis on Noh prints. This summer she took the INI Summer Intensive Program in order to deepen her knowledge of Noh through practice.
Diego Pellecchia, course coordinator.
My experience with the INI
by Tina Dermois
Before one of my fellow students at Leiden University told me about this program, I had never heard about it before. I knew that there are lessons provided for amateurs, but it had never occurred to me that it would be possible to participate in this kind of intensive program. However, when I found out about this opportunity, I was immediately hyped up. Of course, I was still not sure if I would be able to attend this summer, but it would be a good chance to come in contact with Noh other than books and videos and a valuable addition to my practical knowledge for my final MA Thesis on Noh in woodblock prints. There is no better way to understand an art form than by practicing itself.
To be honest, when I was invited to participate I was not sure what I was supposed to expect of the okeiko and the teacher(s). I read through the schedule, but I was still not sure if the lessons were going to be strict or the opposite, or if I would be able to remember a whole piece. So, I was quite nervous the first day at practice. We started the day with some general explanation about noh, their masks and costumes by Toshishige Udaka, the oldest son of Michishige Udaka, and Diego Pellecchia. After that, we had to walk or rather glide across the floor. It was really complicated because you were supposed to keep your posture straight and relaxed while moving to the other side of the stage and keep your body at height. Throughout the lessons, it was quite hard thinking about all the tips that the teachers gave us, but in the end, everyone was able to remember the whole routine. Moreover, these past ten days of practice were also interesting because we were able to follow classes from three different teachers and observe how they all performed the same piece in a slightly different way up close which was a rare opportunity. This made it also a little more confusing to remember the movements sometimes when we were to imitate them.
What was also really nice about the program was that it was quite diverse. We did not only practice dancing but also chanting and meditating. Throughout the ten days, there was a comfortable atmosphere where we could ask many questions to the actors while having tea and a snack.
However, what I liked the most was the opportunity to visit Noh performances not only indoors, but also outdoors. The first performance that we were lucky to see the final rehearsals for one of the pieces we visited. The other one was performed at Fushimi Inari, a famous shrine in Kyoto which became one of the most memorable Noh performances I have ever seen thanks to the setting. The performance began just when the sun was setting and enveloped the stage, shining on the mask and the hair decorations of the main actor mystifying the whole scene while the wind was blowing causing the leaves to softly rustle. Lastly, we were able to attend a performance inside the temple Hōrinji, where we were sitting on the same “stage” as the rite was acted out. The actor was so close to us that it was almost impossible not to feel the power and spirituality of the role and the performer.
Thanks to the classes and the performances provided by INI, I will never be able to look at Noh in the same way. It was an unforgettable experience and if I have the chance I would definitely want to participate once more.