I came to know nō theater through practicing traditional Japanese dance and watching the performance of the play Shakkyō in Hong Kong, where I was captivated by the mystery and mastery of nō. After facing various difficulties and setbacks in 2023, it was a great honor for me to participate in a two-week intensive training program in Noh theater in Kyoto. Amidst the hot summer days and the vibrant atmosphere of the Gion Festival, the two weeks of training allowed us to immerse ourselves in the artistic ambiance of Kyoto.

The three masters, Diego-sensei, Tatsushige-sensei, and Norishige-sensei, each possessed unique characteristics and taught the six of us, students from different parts of the world, in a meticulous and easy-to-understand manner. Diego-sensei offered detailed guidance on movements and storytelling; Tatsushige-sensei imparted wisdom from philosophical, Zen, and Shintō perspectives; and Norishige-sensei demonstrated movements akin to flowing water and gentle breeze, providing us with a full-body experience.

Although each student came from a vastly different background, everyone invested their wholehearted effort to excel. We were also fortunate to attend Keiko-sensei’s nō mask-making workshop, learn about the Gion Festival’s Yoiyama evening, receive assistance and translation from Monique-sensei, and have the experience of watching a Noh performance. In every aspect, the program provided a rich tapestry of nō-related experiences within the brief span of two weeks.

I am grateful for the encouragement and inspiration I received from the masters, which enabled me to participate with great honor in the final Noh theater performance, showcasing the fruits of two weeks of intensive training to family and friends. As the training period flew by, I found myself wishing that time could stand still to preserve these wonderful memories. I extend my gratitude to everyone who contributed to making this experience possible and to all my friends for their unwavering support.

(Jessica Han)